Ooh, pick me, pick me!
I just learned that some kind souls have nominated me for a Homie award!
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January 7 winners announced
I just learned that some kind souls have nominated me for a Homie award!
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With my grape-colored sofas ordered, and on their way any day now, I am chomping at the bit to start decorating my living room. But, I shall refrain until my lovely furniture arrives, as I really want to make sure the rug I find works well with the sofas and the space, now that it will be doing double duty as my dining room, too. I know, I know, rug selections should be first, but how many people in real life start from scratch, anyways? Certainly not me.
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While browsing some ezines online, I started noticing a popular trend in trim treatment.
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I've heard traditional trim treatment referred to as a "bright white frame". In a way, it kinda is.
Unifying the trim and wall color does update and modernize more formal architectural features.
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Has anyone read this book?
The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky
by Ellen Meloy
One reader says, "This isn’t so much a historical examination as an artistic, spiritual road-trip...how human being are drawn to the blue of water, the blue of the sky"
If you've read it, let us know what you thought! How many of you read books about color? What specifically are you drawn to?
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Brisbane, Australia has a new logo, and a branding package to go along with.
Think for a moment about how you would brand your city with a color palette. What would you want to capture about it? San Francisco would definitely have some grays for fog, some blues for the bay... a soft muted palette, I would imagine.
Brisbane has the following new identity:
In short, Brisbane is "clear blue skies", "bright sunshine", "natural surroundings", and "vibrant, exciting, optimistic" brights.
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The hey day of the 1980's seems to be everywhere around us these days.
Skinny jeans, up-collared polo shirts, even wacky crooked haircuts. Let's just cross our fingers and toes mauve doesn't make a comeback.
A quintessential icon of the 80's was the television series Miami Vice.
You might not remember much about Miami Vice other than Don Johnson's sexy stubble and slip-on sockless loafers, but you'd be hard-pressed to forget the pastel candy colors the show captured in it's visuals of Miami.
Flamingo pink, lime green, Caribbean blue. Executive producer of the show, Michael Mann, had a distinct vision that was more movie than tv for his times. Taking inspiration from the ocean and bounty of art deco buildings in the area, Mann decided this was his palette, and stuck to it stringently. No earthy colors. Ever. That included all actors clothing, the cars on the road, even random buildings that had to be repainted.
A director of the show remembers, "There are certain colors you are not allowed to shoot, such as red and brown. If the script says 'A Mercedes pulls up here,' the car people will show you three or four different Mercedes. One will be white, one will be black, one will be silver. You will not get a red or brown one. Michael knows how things are going to look on camera."(source)
Always at the height of fashion, the two main character had five to eight wardrobe changes each episode, always in shades of pink, blue, green, peach, fuchsia and the show's other "approved" colors. Favorite designers included Vittorio Ricci, Gianni Versace and Hugo Boss.
And just for a chuckle, a few more stills from the show, to appreciate quality 80's aesthetics.
Wallpaper is back in style these days. How about this one?
Gotta have the neon pink light above the bed in a hospital room, right? yikes...Posted by Rachel Links to this post 10 comments
All I have to say is, "whoa."
This rooftop house additional is like nothing I have seen before. And no, that's not photoshop work! Designed by Winy Maas for a friend's family residence in Rotterdam in the Netherlands, it's fondly referred to as the Didden Village.
The NYT says, "Maas’s deliberate childlike house shapes combined with the dazzling blank blue planes create the impression that you are living inside a CAD drawing rather than a real house; it’s as if the house is still in a constant process of being imagined."
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Psst, check this out!
Artist: Spencer Finch
Installation: 366 (Emily Dickinson's Miraculous Year)
What: This work is based on the year 1862 during which Emily Dickinson wrote an amazing 366 poems in 365 days. It is a real-time memorial to that year, which burns for exactly one year.
The sculpture is comprised of 366 individual candles arranged in linear sequence, each of which burns for 24 hours."[Finch] knows that color lies at the boundary of what we see and what we remember. Despite the thick red line of humor that runs through his work, Finch’s projects are always laced with the acute pathos of someone disappointed by both perception and language and by their mutual exclusivity and incompatibility... Color is less a trope of indeterminacy than a way to re-create an almost visceral experience of our impossible desire to name our perceptions."(source)
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Logos- old to new
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But is it enough to compete with other blue-branded beers out there like Bud Light, Miller Light, Michelob, or Corona?
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I just did something I generally counsel clients -not- to do.
Remember how I told you my husband was probably my most challenging client ever? (scroll down to bottom of guest room saga). Can you guess where this is headed? ;-)
The challenge: we're in the market for new sofas.
Husband: But that's so -boring-! What about something like this? (holding up terracotta and oranges) They're yummy.
Me: Ug, that's a lot of orange to live with. A strong color will really limit our options if we want to change things up in the future. What if our tastes change? (pushing a chocolate brown and a creamy beige swatch his direction)Posted by Rachel Links to this post 20 comments